
And yet, and yet . . . it is fascinating watching how all of his quirky behaviors turn out to be part of a carefully-planned, overarching strategy intended to make people think a certain way or say certain things. I think this is part of the brilliance of Le Carre novels: he has built a character based on slight movements and minimal communication, and shown how that character can succeed--and perhaps even more, that only that kind of person could succeed. There are no theatrics, no fireworks when George Smiley talks. We never quite know where it will all lead, or more importantly, how Smiley will get to his goal. Like the people he talks to, we are often in the dark about what he is really asking, what he is really scrutinizing. He's the anti-hero, or maybe better, he's the introverted hero.
One of Smiley's great qualities is his ability to stay calm and logical in the face of challenging, dangerous situations. But Smiley is not perfect: one of his apparent weaknesses is that there are moments when he hesitates to make big decisions. Part of the joy I experience reading Le Carre's novels is seeing an extremely intelligent main character accomplish brilliant things while also being clearly flawed.
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